The Swiss Pavilion at 14th Biennale di Venezia

Lorenza Baroncelli talked at about the Swiss proposal at the 14th International Architecture Exhibition.  At the 14th international architecture exhibition in venice, the swiss pavilion presents ‘lucius burckhardt and cedric price – a stroll through a fun palace’.

By & ArchitectsPlanet.Tv

Curated by Hans Ulrich Obrist.In collaboration with Herzog & de Meuron, Atelier Bow-Wow, Agnès b., Lorenza Baroncelli, Stefano Boeri, Eleanor Bron, Elizabeth Diller, Olafur Eliasson, Liam Gillick, Dominique Gonzalez-Foerster, Dan Graham, Dorothea von Hantelmann, Samantha Hardingham, Carsten Höller, Koo Jeong-a, Philippe Parreno, Asad Raza, Tino Sehgal, Rirkrit Tiravanija, Mirko Zardini, and others.

In a digital time of unlimited access to information, where everyone can be an architect, a curator, an intellectual thinker, Hans Ulrich Obrist’s Lucius Burckhardt and Cedric Price – A stroll through a fun palace revisits the recent past of architecture through retrospectives of Lucius Burckhardt (1925–2003) and Cedric Price (1934–2003), reflecting on its future in the 21st century.

‘We often invent the future with elements from the past. Lucius Burckhardt (1925–2003) and Cedric Price (1934–2003) were two great visionaries whose work resonates and inspires new generations in the 21st century. At the core of both their work is a practice of drawing. At the centre of the project will be the archives of drawings of Cedric and Lucius, of which different aspects will be revealed throughout the Biennale. ‘A stroll through a fun palace’ in collaboration with architects and artists will present a laboratory where the ideas of Cedric and Lucius can be toolboxes to invent the future.’ (Hans Ulrich Obrist, February 2014)

Both Lucius Burckhardt and Cedric Price are regarded as among the most visionary thinkers of the 20th century, redefining architecture as revolving around people, space and performance. 2/5 Lucius Burckhardt was a Swiss political economist, sociologist, art historian and planning theorist, known as founding father of ‘strollology’ – his science of the walk. He pioneered an interdisciplinary analysis of man-made environments, discussing both the visible and invisible aspects of our cities, landscapes, political processes and social relations, as well as the long-term effects of design and planning decisions. Cedric Price was guided by a fundamental belief that architecture must ‘enable people to think the unthinkable’.
His project Fun Palace (1960–61), conceived as a ‘laboratory of fun’ and ‘university of the streets’, though never realised, established him as one of the UK’s most innovative and thought-provoking architects. Both Burckhardt and Price critiqued the traditional tertiary education system and were interested in rethinking the basic concept of a university.
Following their revolutionary teaching methods, Obrist’s Lucius Burckhardt and Cedric Price – A stroll through a fun palace radically re-approaches the idea of the national pavilion, reconceiving it as a site for cross-disciplinary, interactive, international engagement. Acknowledging that it is not possible to present the complex practices of Burckhardt and Price through a static display of drawings, Lucius Burckhardt and Cedric Price – A stroll through a fun palace aims for visitors to encounter the architects’ archives performatively. The display on Lucius Burckhardt is co-curated by architects Herzog & de Meuron, in collaboration with the Lucius & Annemarie Burckhardt Foundation and Martin Schmitz Verlag, whilst the temporary archive of Cedric Price is co-curated by Mirko Zardini, director of the Canadian Centre for Architecture (CCA).

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